Our Blog Has A New Home!
Dear friends,
We are excited to announce the launch of Book Culture’s brand new and improved website, which also features a new home for our blog! We are keeping our wordpress space until archived posts can be transferred to the new site, but we hope to eventually transfer everything over to the new blog. So be sure to look out for new posts at bookculture.com/blog or follow us on twitter and tumblr for updates.
-Book Culture
Je Suis Charlie
In answer to why we have put the posters in our window with Je Suis Charlie.
We must stand firm in defense of free speech. It is one thing to not sell or read or ally ourselves with what we see as destructive imagery or language, it is another to say nothing when there is a fundamental attack on free speech. Book Culture is in the publishing business and as such we are obligated, without equivocation, to support that right.
We are not defending “Charlie Hebdo” or any idea or publication no matter how offensive or acceptable to us. We are defenders of the right to free speech.
Standing for the rights of only ourselves, our views of what is acceptable, proper, meritorious or warranting the right to publication, is not standing for the right at all. We are committed enough to stand up for the right to free speech for others. This is the commitment we must make if we are to uphold free speech as a right.
It is perfectly right and just that somewhere at the far edges of decency where Charlie Hebdo and super right wing literature exists we find ourselves deeply offended. We can see the devastating effect that inciting anger can have in Rwanda or Bosnia or Nazi Germany for example and we can make sense of the idea that some of this stuff ought to be censored.
But it is only in those places where censorship has won that day that we see the awful results of living in a place where the fundamental rights are not guaranteed to all. Every genocide in history has come in a land without the right to free speech.
We stand with Charlie Hebdo now because free speech has been attacked, and those attackers are asking for our complicity.
Je suis Charlie means we believe in democracy, human rights, the right to dialogue and the power of ideas and writing over violence and coercion. Je suis Charlie means that we will not review the content of our book shops to ensure we are not offending someone. Je suis Charlie means that as coworkers in the business of publishing and books we support, above the ideas themselves, the right of those ideas to be published. Je suis Charlie means that we’re booksellers and it’s a badge of honor. I say- wear it well.
In 1988 Salman Rushdie had published Satanic Verses in England and was almost immediately condemned and threatened with death because in an Ayatollah’s view it was blasphemy. Penguin in New York almost withdrew the publication and when it was eventually published the major chains and many smaller bookselling outlets didn’t offer to sell the book because they were afraid. Many indie booksellers, including the founders of your shops, did sell it. Because we were one of the few outlets that did, we put a mountain of 500 copies in the front of the store and sold 800 copies in a weekend because people didn’t want to be threatened and have their rights infringed upon. Another of the stores that did in Berkeley, Cody’s, was bombed. The question of offensiveness in the book was without question.
If the few outlets that sold the book didn’t what would that say about our democracy, about our commitment to the first amendment?
Where would we be without the first amendment?
We never have issues of free speech when the material being defended is without critics and universally regarded as culturally beneficial or innocuous.
We only have to defend free speech when it is being attacked, that is the nature of the right. If we don’t defend others rights to free speech we cannot claim it for ourselves.
As booksellers, as independent booksellers, we are committed to free speech. It is what we do. We offer a place to criticize governments, religions, ideas, each other. We do not condone or agree with all the ideas, nor do we purvey language that we do find hurtful or denigrating to others without merit.
We do however stand firm on the right to Free Speech.
Chris Doeblin
Meet the Staff: Cody Madsen
I’m originally from a small town in California outside of Yosemite National Park in the Sierras. I’ve worked in bookselling for 8 years. In college, I worked seasonally at a small independent in my hometown. I came on as a manager for Book Culture in August of 2013.
What is your role as a Manager for Book Culture?
I’m the Event Coordinator for Book Culture, and help with managing the periodicals, floor managing, and help coordinate web content. I’m a semi-pro gift wrapper, and I also occasionally wear shorts and flip-flops.
How did you come to join the Book Culture family?
I moved to NYC in September of 2011 for graduate school. While waiting to board my plane in California, I sent an email to Book Culture to see if they might be hiring. On a layover in Denver, I received a reply from Chris asking if I could come in for temporary work for the coursebook rush. I got to Manhattan around 3am Sunday morning, and by 11am I was working for Book Culture. I’ve been here in some capacity ever since.
What are your areas of expertise?
I read a little all over the place. I studied cultural anthropology in school, so I can speak to that body of work. I read more contemporary fiction now, with a Tennessee Williams play thrown in every couple of books. I enjoy ‘History of the Book’ books. I read samples of most of the magazines we stock, so I can recommend the heck out of a number of those titles.
What are you currently reading?
I’ve been reading The World According to Garp for a while with some friends from college. It’s definitely something. I also recently just read Prelude to Bruise by Saeed Jones. I’ve started to read more stories, fiction and nonfiction, told from the perspective of non-American women. Some of my favorite authors in this vein are Chinelo Okparanta, Chimamanda Ngozi Adichie, Margery Wolf, and Lisa See. I also follow APOGEE and Hello Mr. magazines for their writing.
What’s your favorite part of working for a bookstore?
The community. Bookselling seems to attract wonderful, insightful, collaborative people. I’ve made lifelong friends through my work in bookstores, and for that I’m especially grateful. My quality of life has been forever enriched. (The discount, advanced copies, and BEA are nice perks, too.)
Q&A and Reading with MB Caschetta
We are thrilled to have MB Caschetta launch her debut novel, Miracle Girls, at our Columbus store this Sunday, January 18th, at 3pm. MB Caschetta is the recipient of a W.K. Rose Fellowship for Emerging Artists, a Sherwood Anderson Foundation Writing Award, and a Seattle Review Fiction Prize. Her work has appeared in the Mississippi Review, Del Sol Review,3:AM Magazine, New York Times, and Chronicle of Higher Education, among others.
We’d like to thank her for taking the time to share her work with us and hope you enjoy the Q&A!
How did you come to write Miracle Girls?
I was actually writing a very different novel when Miracle Girls emerged and took over. It’s been quite a long and unexpected process; I’ve been writing the novel since my last book (a short story collection) was published in 1996. It’s not at all the novel I expected it to be, which is kind of amazing. And it took me on a kind of surprising spiritual journey, which is a lofty way of saying it was rejected a lot! The lesson I learned about novels (and maybe life) is that you have to accept it on its own terms. Resisting just makes for a lot of unhappiness and road blocks. Mostly, this book has taught me to go with the flow and to not give up hope. It’s a happy ending for me, since the book has been so graciously received with wonderful reviews from Kirkus and People Magazine.
Do you have a personal favorite book of all time? If so, can you share it and tell us why?
I have so many favorite books, it’s difficult to say. My favorite book of all time is probably a tie between Tolstoy’s Anna Karenina, which I somehow read in part in Russian in college, though I couldn’t do that now, and Nabokov’s Lolita. But more importantly my current favorite book is Elizabeth McCracken’s new short story collection, THUNDERSTRUCK. I think I’m going to read it a second time. I feel like I loved the experience of reading it so much that I went too fast. I think I can take it in more deeply on a second read.
What’s next? Any upcoming book projects in the works that you can tell us about?
I am writing a non-fiction book about the experience and the cultural phenomenon of disinheritance. A few years ago I published a personal essay in the New York Times about having found out as a surprise that I was disinherited by my father (nyti.ms/vmZcxa). It’s been a difficult book to write; I am on a third draft, and still struggling to get the right even-handed tone and a voice that is more deeply my own. My family is unhappy about my writing on the topic, so that adds another layer of complication. Like Miracle Girls, though, it feels like a book I have to write: I have no choice in the matter, since it won’t leave me alone otherwise. After that, though, I hope I get to write a fun book. I don’t think that’s too much to ask.
Q&A With Lynn Lurie
In early December, we had the chance to hear Lynn Lurie read from her latest novel, Quick Kills, alongside Atticus Lish. We would like to thank her for participating in the event and taking the time to answer a few questions about her personal reading and writing. If you haven’t check it out already, be sure to also read our Q&A with Atticus Lish.
How did you come to write Quick Kills?
Quick Kills was the result of fragments of images that came to me. Photographs I had once taken but had lost. I tried to resurrect some of the scenes and began writing a narrative to link the pieces into a coherent whole.
What are you currently reading?
I am currently reading I Am China by Xiaolu Guo.
Is there anything you are looking forward to the publication of?
If Fleur Jaeggy were to write another novel to be translated to English I would be very happy.
Any upcoming book projects in the works that you can tell us about?
I am scribbling down things and have no idea where they will lead. Most likely a novel as I am not adept at short stories. I would love to write something funny.
Meet the Staff at 112th: Devon Dunn
Now that you have met some of the wonderful people who work at Book Culture on Columbus, we are ready to introduce the staff at Book Culture’s 112th store! There are quite a few of us, so look forward to many more posts, reading recommendations, and exclusive insights into the workings of an independent bookstore.
What is your role as a Manager for Book Culture?
In addition to all the usual managerial duties, I’m also responsible for stocking and curating our sidelines, cards, and other non-book products you see at 112th. As a buyer, I try to find fun and interesting products that fit with Book Culture’s aesthetic that I feel will appeal to our customers. It’s a great experience–especially when I can connect with other independent/local companies to bring unique stuff to Book Culture.
How did you come to join the Book Culture family?
I moved to New York last March after several years in Boston where I worked as a manager and assistant buyer for a locally-owned retailer. When I interviewed with Book Culture, it seemed like an instant perfect fit: independent store, wonderful book selection, and one of the managers at the time even grew up in my hometown!
What are your areas of expertise?
I studied Russian Literature and Translation in college, so I have a lot of Slavic authors who are favorites of mine, and I’m always happy to debate the merits of different translations (for anything, not just Russian-language stuff). Other than that, I’ve been really into reading more female authors, as well as books about Nature, Environment, Urban Foraging, and Cookbooks.
What are you currently reading?
Elena Ferrante! I picked up My Brilliant Friend because I’d heard so much about it, and now I’m eagerly devouring everything she’s written. If you’ve been debating whether or not to read her stuff, do it!
What’s your favorite part of working for a bookstore?
Hands down it’s getting to work with people and products I enjoy. In the age of Amazon, if you’re in a book store, it’s by choice–because you like the atmosphere and comradery that these spaces offer. It’s great to know that I have something in common with pretty much everyone who walks in the door.
Don’t Miss Our New Year’s Day Sale & Festivities!
December 31, 2014 at 5:11 pm bookcultureblog Leave a comment
Recommended Reading: Funeral for a Home
At 11am on May 31st, 2014 local Philadelphia artists, historians, and residents of West Philadelphia’s Mantua community gathered for a funeral commemorating the life and death of 3711 Melon Street. Cause of death: “prolonged and multiple causes.” The writer of 3711 Melon Street’s obituary states, “Living things die when the infrastructure of life declines or disappears. It is no different for a house that draws sustenance from the infrastructure of safe streets, economic viability, home repairs, a stable population and city services.” The funeral of 3711 Melon Street, one of Philadelphia’s row homes dating from 1872, was part of a public art project organized by Temple Contemporary that connects the decay and demolition of 3711 Melon with a much larger conversation around urban development and struggling urban communities. A Funeral For A Home is the beautifully designed accompanying book for the project.
Reading the text is nothing short of an interactive experience. The book includes full page photos chronicling the funeral and community engagement around the project, images of original historic documents, a folded up newspaper clipping of the obituary, and a manila folder in which the reader will find a copy of the home’s original deed. The book itself is carefully and intentionally designed; a wonderful extension of a project that points to the importance of public art as a vehicle for building awareness and community engagement.
Broken up into four chapters and a conclusion written by Patrick Grossi, the project’s manager, the book’s contributing authors write about the history of the Philadelphia row home, the obstacles and importance of historic preservation in the face of urban economic disparity, as well as a detailed documentation of the planning and day of the funeral itself. Without submerging the unique history of 3711 Melon St., Funeral for a Home further contextualizes the project “within a spectrum of contemporary public art projects that seek to memorialize, re-imagine or remediate housing in the era of the post-industrial late capitalist city” (71). As Sue Bell Yank writes in the chapter “This House is Every House,” the project “prompts us to observe and push the boundaries of how we perceive what is happening in our own communities, how we address the future and the past, and how we recognize ourselves in the other.”
While reading Funeral for a Home, you begin to realize how the funeral is not meant to be an isolated event in time, but is a project that works to build new relationships and opens creative ways for using forgotten space. For anyone interested in public art, urban history, and community development, Funeral for a Home is a rich window into a project whose potential and lasting effects are still unfolding.
Be sure to also check out Funeral for a Home‘s online page to learn more about the project.
By Maxine
December 30, 2014 at 5:44 pm bookcultureblog Leave a comment